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The Cookers at the Vermont Jazz Center, Friday, Sept. 15th at 8:00 PM


The Vermont Jazz Center will kick off its season with an energetic blast. On Friday, September 15th at 8:00 PM, The Cookers--a septet heralded by Downbeat Magazine as "a group of the world's best musicians"--will present two sets of jazz at its highest level. The musicians in The Cookers are Billy Harper (tenor Sax), Eddie Henderson and David Weiss (trumpet), Donald Harrison (alto saxophone), George Cables (piano), Cecil McBee (bass), and Billy Hart on drums. Each of these individuals is a major leader in their own right, but the unified force of this group is seen as a worthy personal and musical investment by each of its members. As an enduring unit (they've been together for over a decade), (comma added) The Cookers perform carefully arranged original music and have been called a "dream team of forward-leaning hard-bop [masters]" (Nate Chinen, New York Times). The rhythm section alone (piano, bass and drums) of George Cables, Cecil McBee and Billy Hart reveals star-power enough to attract any jazz devotee, but when the front (horn) line is added with its glorious combinations of colors and improvisational prowess, the opportunity to hear this group locally is almost too good to be true.

Full disclosure: in order to enjoy The Cookers, listeners really need to pay attention. As pianist George Cables explained in an interview with Rolling Stone: "This is a music that you don't hear every day on the radio. Sometimes it's not as accessible as I wish it could be or would be in terms of radio or television or public media. And sometimes it takes an effort to listen to it. It's a kind of classical music, but it's a music that was born here in the United States, and I think that it's one that should be given more attention." The Cooker's music winds through a carefully balanced range of emotions, some quiet, beautiful and peaceful (especially when featuring pianist George Cables); other arrangements go to places where the performers really let loose. It is the balance, the exquisite writing, the melodic content and the fascinating blends of instruments that give meaningful context to a full range of expression. Most of the Cooker's compositions are epic tales that unfold as parables narrated by a master storyteller.

These days, in 2017, there are very few 4-horn bands that perform and tour this style of music with any consistency. In the 1950s and 60s it wasn't uncommon for a band to tour for months on end; the musicians could be found performing 6 nights a week, honing their musicals skills and developing their repertoire. The greatest of them have left a well-worn footprint of an iconic, collaborative sound that defines an era. Tenor saxophonist Billy Harper views The Cookers as a "continuation of the drive and success of groups like Art Blakey's Jazz Messengers, Max Roach, Elvin Jones, Trane..." The group's name, "The Cookers," is derived from a 1965 Blue Note release by Lee Morgan and Freddie Hubbard called "A Night of the Cookers." Bassist Cecil McBee sums up The Cookers' relationship to each other and the music this way: "We're like brothers. Everybody's very, very focused, and we all have what it takes to make the music, not just playing music, but inventing, creating, and providing something that is very different given that many personalities [are] coming together, which is unusual, and lasting a long time, so we take great pride in that."

Band Bios:
Billy Harper
Harper moved from his native Texas to New York in 1966 and soon began working with jazz giants Gil Evans, Max Roach, Thad Jones, Mel Lewis, Lee Morgan and Art Blakey and the Jazz Messengers. He performed, recorded and toured Europe, Japan, Africa and the United States from 1966 to 1979 with these groups, as well as his own, the Billy Harper Quintet. Throughout Harper's career, there has been a pattern of spiritual growth and innovation. "My feeling is that music should have a purpose. In the past, it always has been used for healing and uplifting and meditation. And that's the way I see my music," said Harper, "I've had people come up after a program to tell me that they felt a spiritual healing from the music. When that happens, I feel we're fulfilling what we're supposed to do. If people are entertained, that's ok too but I certainly see a purpose in my music beyond that."

Harper has produced 20 CDs as a leader/co-leader and as a sideman has recorded with Art Blakey and the Jazz Messengers, McCoy Tyner, Stanley Cowell, Charles Earland, Gil Evans, the Mel Lewis/Thad Jones Orchestra, Lee Morgan, Woody Shaw, Charles Tolliver and Randy Weston. He also twice received the International Critics Award for Best Tenor Saxophone.

Eddie Henderson
Trumpeter Henderson received his first informal lesson at the age of nine from Louis Armstrong. Miles Davis, a family friend, admired his tone and encouraged him to pursue a career in music. His stepfather was a doctor to Miles, Coltrane and Duke Ellington. Henderson excelled in both music and academics; he attended medical school and become a doctor. From 1968 until the late '80s, Henderson mixed music and medicine. He received his first major musical exposure as a member of Herbie Hancock's Mwandishi sextet. He also worked extensively with Pharoah Sanders, Norman Connors and Art Blakey's Jazz Messengers. Eddie was a member of the Latin-jazz group Azteca and fronted his own bands. Eddie has also performed and recorded with such notables as Dexter Gordon, Roy Haynes, Jackie McLean, Joe Henderson, Elvin Jones, Johnny Griffin, Slide Hampton, Kenny Barron, Gary Bartz, Benny Golson, Max Roach and McCoy Tyner.

David Weiss
Weiss is trumpeter and music director of The Cookers. He organizes the ensemble's schedule and coordinates the music while giving voice to each of the group's members' compositions through his detailed arrangements. As a young man Weiss toured and/or recorded with Freddie Hubbard, Charles Tolliver, Billy Harper, Bobby Hutcherson, Slide Hampton, James Moody, Tom Harrell, Louis Hayes, Muhal Richard Abrams, Odean Pope, Geri Allen, Billy Hart, Jaki Byard, Frank Foster and Jimmy Heath. He now organizes, arranges and writes for four active ensembles: The New Jazz Composers Octet, Point of Departure, The Cookers and Endangered Species.

Donald Harrison
Donald was born in New Orleans in 1960 and grew up in a home environment saturated with the city's traditional music of brass bands, parades, modern Jazz, R&B, Funk, Classical, World and Dance music. His connection to New Orleans roots were deepened by his father, a Big Chief. Donald himself became the Big Chief of The Congo Square Nation Afro-New Orleans cultural group in 1999. Harrison has recorded 27 albums as a leader and has performed and recorded with Art Blakey, Roy Haynes, The Cookers, McCoy Tyner, Miles Davis, Lena Horne, Ron Carter, Billy Cobham, Eddie Palmieri, Jennifer Holiday, Dr. John, Guru's Jazzmatazz, McCoy Tyner, Dr. Lonnie Smith, Digable Planets, Notorious BIG, The Chicago Symphony Orchestra and The Louisiana Philharmonic Orchestra and many others. Donald played a prominent role in Spike Lee's HBO documentary When the Levees Broke, and his life-story was portrayed in HBO's Treme. Donald is also co-founder and artistic director for the Tipitina's Intern Program and founder of The New Jazz School, which are both based in New Orleans.

George Cables
Cables is acknowledged as one of the finest pianists of his generation. Born in New York City in 1944, Cables attended Mannes College of Music. In his early years he recorded with Max Roach and Paul Jeffrey and earned a brief tenure with Art Blakey and the Jazz Messengers. A 1969 tour with tenor titan Sonny Rollins took Cables to the West Coast and, by 1971, he became a significant figure in the jazz scenes of Los Angeles and San Francisco. Collaborations and recordings with tenor saxophonists Joe Henderson and Sonny Rollins, trumpeters Freddie Hubbard and Woody Shaw and vibraphonist Bobby Hutcherson made Cables' wide-ranging keyboard skills. He joined hard-bop legend Dexter Gordon in 1977 for two years. The longest standing relationship Cables developed in the late seventies was with alto saxophonist Art Pepper. Cables, who Pepper called "Mr. Beautiful," became Art's favorite pianist. He has performed and recorded with some of the greatest jazz musicians of our time, including: Joe Henderson, Roy Haynes, Max Roach, Art Blakey, Sonny Rollins, Freddie Hubbard, Woody Shaw, Sarah Vaughn, Tony Williams, Bobby Hutcherson and Dizzy Gillespie.

Cecil McBee
Bassist Cecil McBee was born and raised in Tulsa, Oklahoma. After college, he joined the Paul Winter Sextet which led him to his current home-base of New York City. He has recorded and traveled worldwide with Charles Lloyd, Pharoah Sanders, Elvin Jones, McCoy Tyner, Miles Davis, Bobby Hutcherson, Keith Jarrett, Wayne Shorter, Freddie Hubbard, Sonny Rollins, Joe Henderson, Andrew Hill, Sam Rivers, Michael White, Jackie McLean, Yusef Lateef, Alice Coltrane, Ravi Coltrane, Abdullah Ibrahim, Lonnie Liston Smith, Buddy Tate, Joanne Brackeen, Dinah Washington, Benny Goodman, George Benson, Nancy Wilson, Betty Carter, Art Pepper, Charles Lloyd, Pharoah Sanders, Dave Liebman, Joe Lovano, Billy Hart, Eddie Henderson, Billy Harper and Geri Allen. A recipient of two NEA composition grants, McBee has written works that are performed worldwide and have been recorded by Elvin Jones, McCoy Tyner, Pharoah Sanders and many others. In 1989 he won a Grammy for his performance of "Blues for John Coltrane," which featured Roy Haynes, David Murray, McCoy Tyner and Pharoah Sanders. He was inducted into the Oklahoma Jazz Hall of Fame in 1991.

Billy Hart
Drummer Billy Hart was born and raised in Washington, D.C.. His first prominent gig was with D.C. tenor mentor Buck Hill, who turned him onto Charlie Parker and hired him for steady gigs; during this time he apprenticed with Washington, D.C. drum legends Jimmy Cobb and Osie Johnson. He also learned to play Brazilian rhythms while on the job in gigs with Antonio Carlos Jobim and João Gilberto. Hart matriculated at Howard University as a mechanical engineering major, but left when Shirley Horn took him on the road. In1967, as a member of the Howard Theatre's house band, he performed with The Isley Brothers, Sam and Dave, Patti Labelle, Otis Redding and Smokey Robinson and the Miracles among others. He was also a sideman with Jimmy Smith (1964-1966), and Wes Montgomery (1966-1968). In 1968, Hart moved to New York where he recorded with McCoy Tyner, Wayne Shorter, and Joe Zawinul, and played with Eddie Harris, Pharoah Sanders, and Marian McPartland. In 1969, Hart joined Herbie Hancock's Mwandishi band and recorded three trend-setting albums. From there he joined McCoy Tyner's band (1973-1974), Stan Getz (1974-1977), and Quest (1980s) in addition to extensive freelance playing and recording (including recording with Miles Davis on 1972's On the Corner). Hart currently leads the Billy Hart Quartet featuring Mark Turner, Ethan Iverson and Ben Street

Come to the VJC on Friday (not Saturday), September 15th and prove to yourself what the critics have been proclaiming for years: "player for player, there's no better working band in jazz than The Cookers" (Andrew Gilbert, The Boston Globe). The VJC is honored to present this septet; the concert will likely sell out, so purchase your tickets in advance. The VJC is especially grateful for the sponsorship of this event by a friend of the Vermont Jazz Center's Educational Programs. His generous contribution made this concert possible and for this the Jazz Center is deeply grateful. The VJC is also thankful for the ongoing support from the Vermont Arts Council and the National Endowment for the Arts, Hampton Inn of Brattleboro. VJC publicity is underwritten by the Brattleboro Reformer, WVPR, WVEW, WFCR and Chris Lenois of WKVT's Green Mountain Mornings.

Tickets for The Cookers at the Vermont Jazz Center are $20+ general admission, $15 for students with I.D. (contact VJC about educational discounts); available at In the Moment in Brattleboro, or online at www.vtjazz.org, by email at ginger@vtjazz.org. Tickets can also be reserved by calling the Vermont Jazz Center ticket line, 802-254-9088, ext. 1. Handicapped access is available by calling the VJC at 802 254 9088.

"Sometimes the word 'super-group' is just unavoidable...[The Cookers are] an ebullient ensemble composed of supreme veterans, each who is a leader in his own right...at the pinnacle of his technical prowess." -- Jazzwise Magazine (London)

Behind the scenes:
Live at Lincoln Center:
Live, NPR Presents:

Vermont Jazz Center to launch a new semester of classes starting on September 18th


The Vermont Jazz Center will host a new ten-week session of classes beginning the week of September 18th. Courses include an expanded youth program for ages 10 - 16, an ensemble led by bebop master Scott Mullett (Blue Note Ensemble), Anna Patton's popular Soubrette Choir, the VJC's Latin Jazz Ensemble, and Julian Gerstin's Afro-Caribbean Percussion & Rhythms. Our new offering for this year is Ben Carr's Jazz Uke Ensemble.

Consider joining a combo and learn how to perform classic jazz compositions while being guided by one of the VJC's professional faculty. If you've never improvised, that's no problem. There are opportunities for all including classical musicians intrigued by jazz's structure and improvisational opportunities.

Sessions are 10 weeks long (except for Youth Jazz which is 8 weeks). Prices and starting dates are listed below and at vtjazz.org.

Schedule for VJC's Fall Education Opportunities: 2017

5:15 - 6:45 PM Blue Note Ensemble. Scott Mullett, instructor. First class meets Sept. 18th

3:45 - 5:00 Youth Jazz Ensemble. Eugene Uman, instructor First class meets Oct. 3rd
5:15 - 6:45 Uke Jazz Ensemble Ben Carr, instructor First class meets on Sept. 19th

4:15 - 5:45 Latin Jazz Ensemble. Julian Gerstin and Eugene Uman, Instructors First class meets Sept. 20th.
6:00 - 7:30 VJC Sextet (full) Rob Freeberg, director

5:45 - 7:30 Soubrette Choir. Meets at Julian Gerstin and Carlene Raper's house Anna Patton, instructor First class meets Sept. 21st.
7:00 - 8:30 Latin and African Percussion and Rhythms Julian Gerstin, instructor First class meets Sept. 21st

Information on the courses:

Blue Note Ensemble
Instructor - Scott Mullett
This ensemble will focus on the repertoire from landmark Blue Note recordings of the late 1950s and early 1960s. Mullett states that this era represents for him, "the heartbeat of American jazz." The repertoire performed by this ensemble will include jazz standards and originals recorded by the bands of Art Blakey and the Jazz Messengers, John Coltrane, Herbie Hancock, Cannonball Adderley, Horace Silver, Dexter Gordon, Freddie Hubbard, Lee Morgan, Hank Mobley and Wayne Shorter.

'Ukulele Jazz Ensemble
Instructor - Ben Carr
This year's offerings include a new class for ages 16 and up. This ensemble is for those interested in exploring simple jazz arrangements and melodies on the 'ukulele. This is a fun instrument; basic skills can be acquired quickly, but to play it well you have to practice! Why not use this opportunity to take your uke playing to the next level! Delve into jazz standards and Hawaiian tunes, learn a variety of strumming techniques, and improvisation techniques. We will put together interesting arrangements and sing together as well.

Youth Jazz Ensemble
Instructor - Eugene Uman
For youth who are interested in adding improvisation to their musical toolbox. This ensemble will use simple tunes written by jazz masters Miles Davis, Horace Silver, Cannonball Adderley and others as vehicles for taking off. The tunes we will start with are simple melodies that encourage participants to want to delve deeper into the jazz repertoire.

Latin Jazz Ensemble
Instructors - Julian Gerstin and Eugene Uman
For individuals who wish to learn and play jazz influenced by rhythms of Latin America. Emphasized styles include salsa, son, rumba, danzon, bolero and cha cha chá from Cuba (and Puerto Rico); cumbia, bambucco and porro from Colombia; bossa, samba, partido alto and samba reggae from Brazil.

Soubrette Choir
Instructor - Anna Patton
The Soubrette Choir is a women's vocal ensemble that will sing three- and four-part harmony arrangements of songs from the swing era as well as contemporary pieces in the jazz idiom. The ensemble will work on blend and precision in close harmonies in the style of groups like the Andrews Sisters and Lambert, Hendricks, and Ross. We will also spend some time working on aural skills and playing with chord progressions. Recommended for singers who read music and/or have quick ears.

Afro-Caribbean Percussion & Rhythms
Instructor - Julian Gerstin
The hundreds of rhythms and instruments of the Caribbean are a treasure of music and a source of inspiration for jazz and many other styles. Julian will introduce you to instruments and songs from Cuba, Brazil, Martinique and other islands, from drums of many kinds to bells, shakers, and scrapers. Players of all types of instruments will improve their rhythmic skills and creativity.

Jam Sessions
All are invited to attend our Wednesday night jam community sessions - they're held from 8:00 - 10:00 PM every week. All levels and all instruments are invited.
Check out the VJC's website at www.vtjazz.org and find class descriptions and further information on all the VJC's offerings. The phone number at the VJC is 802 254 9088 and leave a message for Ginger, or contact her directly at ginger@vtjazz.org. You can also email Eugene Uman at eugene@vtjazz.org. No one will be turned away due to lack of funds, please call to find out about the VJC's scholarship and extended payment options.

Sessions are 10 weeks long (except for Youth Jazz which is 8 weeks). Fees are $250 for a 10 week semester, except for Latin Jazz Which is $200 and Youth Jazz which is $100.

Final Concert:
All ensembles will perform at the VJC day-long showcase during the Cotton Mill Hill's Open House on Saturday, December 2nd, 2017.

To Register, or for questions about scholarship assistance, contact Ginger Morawski at ginger@vtjazz.org. For questions about Anna Patton's classes please contact the instructor directly: annameryl@gmail.com. For all other inquiries contact Eugene Uman at eugene@vtjazz.org. For phone inquiries, 802 254 9088.

Vermont Jazz Center's 42nd Summer Jazz Workshop to take place at the Putney School week of August 6 - 12


  1. Educational Program: August 6th to August 12th, Putney School, Putney, VT
  2. Faculty Concert: Thursday, August 10th at 8:00 PM, Michaels S. Currier Center, Putney School
  3. Student Concert: Friday, August 11th, Michaels S. Currier Center, Putney School
    • Set I at 3:30PM
    • Set II at 8:00 PM

The Vermont Jazz Center is preparing for its 42nd iteration of the summer jazz workshop. The week-long program takes place on the beautiful campus of The Putney School in Putney, Vermont. This workshop encourages intermediate to professional level students from down the street and around the world; while in Vermont they polish their improvisational and musicianship skills while enjoying a hiatus in a beautiful, bucolic setting. The workshop began in 1974 when famed Hungarian guitarist, Attila Zoller, formed the Attila Zoller Guitar Clinics. These informal programs were fundamental in the development of young musicians like Peter Bernstein, Helmut Kagerer, and many others who would come to Zoller's rustic home in Newfane and study with him and other masters. The program attained non-profit status in 1989 when Zoller took on a board of directors, registered with the state, and conscripted friends like Joy Wallens-Penford, Howard Brofsky, and Gene Rush to help with the curriculum and organization. To this day, the VJC honors Zoller's immense spirit and attention to quality.

Over the years, the Summer Workshop has grown in numerous ways, most notably through increased numbers of students and staff, but also by developing a vocal program under the caring guidance of Sheila Jordan and Jay Clayton. Because the workshop has taken place now for 19 years at the Putney School, a sense of rhythm has been achieved through repetition. The community simultaneously grows outward while getting deeper: returning students visit each summer and nourish friendships, develop their musical skills, and live their dreams. Both students and faculty consider this week in the country the highlight of their year. Pianist Bob Werbel, who has been attending the program for more than a decade, told the VJC last week "It's my favorite week of the year, I wouldn't miss it for anything." There exists a natural, intergenerational balance where participants of all ages learn from each other, gleaning from both the wisdom of jazz's "old school," the pedagogical advancements put forth in today's developed system of jazz education and the freedom that is synonymous with the word "jazz."

The Vermont Jazz Center's Summer Workshop emphasizes the importance of improvisation and small-group dynamics, encouraging participants to find their own voices using the jazz language. The courses offered include jazz theory, master classes in each instrument, focused listening and faculty led ensembles. The atmosphere is friendly and productive; participants and teachers alike form bonds that last a lifetime. The Summer Workshop stands as the pinnacle of the VJC's educational year thanks to a phenomenal world-class faculty - teachers who are brilliant players but still have a vested interest in the unique journey brought to the program by each student. Eugene Uman is Artistic Director and Ginger Morawski is the Summer Workshop Administrator. There are dozens of community volunteers who contribute to its smooth operation.

This year's program will feature approximately 55 instrumental and 20 vocal students under the tutelage of over a dozen highly regarded musician/teachers. They will meet and enjoy the excellent musical facilities at the Putney School; they will unite into instrumental and vocal ensembles and each day partake in master classes, formal performance groups, and classes in jazz composition and theory. In the evenings, evoking the Zoller spirit--students and faculty will jam until the wee hours of the morning.  The students will offer a performance on the final evening of the workshop; the Faculty will deliver their own on Thursday evening.  Both concerts will take place at the Michael S. Currier Center at The Putney School.

Please join us in celebrating jazz and enjoy the VJC's summer workshop concerts held at The Putney School's Michael S. Currier Center. On Thursday evening, August 10th the Vermont Jazz Center Faculty Concert will present vocalists Sheila Jordan and Jay Clayton, Jason Palmer (trumpet), Jeff Galindo (trombone), Scott Mullett, Michael Zsoldos (saxophone), Dominque Gagne (flute), Luís Perdomo, Harvey Diamond, Ray Gallon and Eugene Uman (piano), Marcus McLaurine, Malik McLaurine, George Kaye, David Picchi and Cameron Brown (bass), Franciso Mela, Brian Adler and Claire Arenius, (drums) and Julian Gerstin, percussion. The ticket price for the faculty concert is $20, $15 for students. Local music students are admitted free of charge.

On Friday evening, August 11th, the VJC Summer Workshop Student Concert will showcase faculty-coached student ensembles with numerous vocalists and several piano trios. This concert will be divided into two sections, the first will start at 3:30 PM and the second show will resume after a dinner break at 8:00 PM. Singers will be accompanied by a professional jazz trio and the piano trios will be assisted and perform with a faculty bassist. Also performing will be five faculty-coached ensembles, usually comprised of two or three horns, piano, bass and drums. For the student concert, a $5.00 donation is suggested. All concerts will take place at The Putney School's Michael S. Currier Center and are accessible to all.

The VJC's Summer Jazz Workshop is sponsored by William and Laurie Schutt with further assistance from Vermont Public Radio and the Vermont Arts Council.

For information regarding this workshop and related concerts, please visit the VJC's website at www.vtjazz.org www.vtjazz.org, or call 802 254 9088.

For more information on VJC programs please contact Ginger Morawski at 802 254 9088 or ginger@vtjazz.org to receive a brochure, or visit the VJC website at www.vtjazz.org. For specific questions regarding curriculum and content, email Eugene Uman directly at eugene@vtjazz.org.

The Vermont Jazz Center is an internationally recognized institution that provides jazz education, programming and outreach. Currently in its 40th year, it was founded in 1974 by the legendary guitarist, Attila Zoller and is now run by pianist, Eugene Uman.

The VJC features a summer jazz workshop, a monthly concert series, Wednesday night jam sessions, and frequent collaborations with area schools, arts organizations and businesses.

Mission: The Vermont Jazz Center is dedicated to creating and preserving jazz through the presentation of workshops, concerts, and instruction to a broad constituency of artists, students, and the general public.

Keep in touch
Upcoming Concerts
The Cookers, September 15th, 2017
September 15th, 2017, 8:00 PM
Tom Harrell Quartet, October 14th, 2017
October 14th, 2017, 8:00 PM
Camille Thurman + the Darrell Green Trio, November 4th, 2017
November 4th, 2017, 8:00 PM
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Handicap Accessible
Concerts at the VJC are handicap accessible.

SEATING: For wheelchair or other handicapped seating at concerts, please call in advance, 802-254-9088 or 802-579-5515.

PARKING AND ENTRANCE: The Cotton Mill’s handicapped entrance is on the south side (on your right as you enter the parking lot). There is one van-accessible parking spot next to this entrance. Other handicapped spots are located along the west side of the building (facing you as you enter the parking lot. There is no handicapped entrance or elevator on this side.

ELEVATOR: To get to VJC on the second floor, you’ll need to use the freight elevator. At the handicapped entrance, pass the flight of stairs and go through the door on your left, into the building's loading area. The elevator is at the far end of the loading area. If you have someone to assist you, make sure they open and close both the elevator’s gate and main door, both from inside (to run it) and when you exit (so other people can use it). If you need assistance with the elevator, call us. We appreciate a call ahead of time but you can also call when you arrive, and we’ll send someone right down. 802-254-9088 or 802-579-5515.

RESTROOMS: Accessible restrooms are located at the far end of the building. As you exit our concert space take a left, and at the end of the hall take a right. They’re pretty far. Leave yourself time.

Please call to discuss arrangements to facilitate your enjoyment of this concert: (802) 254 9088, ext. 2.

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